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All channels provided stereo pan as well as four cue send buses that could be configured as pre- or post-fader and allowed individual monitoring via a pre-fade listen (PFL) function. The swept EQ version also allowed switching between microphone input and line input, which was typically attached to a multi-track recorder output. The input channels were available in fixed-frequency EQ standard channel and swept EQ versions. The master section was made up of echo return, group output, cue master and monitoring modules. The design used a semi-modular approach with individual channels in separate modules. It was initially offered in 12 and 16 channel versions, and a 24 channel version was later added. The Series 2 launched as a four-bus console, and was later available in an eight-bus version. The Series 2 began to build Soundcraft's reputation for quality desks with the classic British sound. In 1975, Soundcraft introduced the Series 2 console as a live and recording console. In addition to The Series 1S added a second foldback send and was available in a 20 channel version. The Series 1S introduced the classic Soundcraft four-band EQ with two sweepable mid-range sections. The Series 1S was introduced in 1975 as an upgraded Series 1. The Series 1 also included a multi-pin connector that integrated with a multi-channel microphone snake to route signals from and to the stage from a mix position in the audience. View a wide selection of Pro Audio Equipment and other great items on KSL Classifieds. Each channel had four-band fixed-frequency EQ. 600.00 Soundcraft Ghost 32 Analog Mixing Console for sale in Murray, UT on KSL Classifieds. It was available with 12 or 16 input channels and 4 outputs-main stereo, plus a post-fader ‘echo’ send and pre-fader foldback. Soundcraft first made its mark by manufacturing the Series 1, the first mixing console built into a flight-case.
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